Thursday, June 24, 2010

The Door into Summer...

"Any sufficiently advanced technology is indistinguishable from magic" - Arthur C. Clarke (1917-2008)

From the private journal of Scarlett Amaris - Montsegur - 21 June 2010

It had been raining for weeks on end, day after day of cold wind and gray skies. Even this late in June, Our Lady of the Snows made a return visit and had been seen creeping stealthily back down the Pic de Saint Barthelemy. Summer seemed like a fantasy, something that we tricked ourselves into believing every morning just to put up with another day of plummeting temperatures. This was surely not the way to celebrate the solstice. Christmas perhaps, but not the supposed midpoint of summer. Glamour and magic are hard pressed to prosper under dankness and frostbite. Still, even in these absolutely wretched conditions, the faithful gathered at the castle in the gloom of the early morning. The icy rain had washed out the pyrotechnic 'spectacle' originally planned for the night before forcing the pilgrims to take refuge in the town hall at Montferrier where the bedraggled survivors had been treated to an impromptu evening of Occitan folk music. Some were brave enough to weather the arctic conditions on the pog itself but we decided to take the darkened path once the wind had dropped in the early morning as the first hint of blue touched the skies.

Storm clouds rolled across the horizon in an endless sea of grey and the bonfire built the night before still stood forlorn and unkindled on the 'camp de cremat'. The first rays of so-called sunlight were all but invisible, diffused through the relentless cloud cover. In the donjon tower room, people gathered from Chile, England, Norway, Germany and other places unknown, praying that the clouds would part and allow a beam or two through. People looked cold and some a little sleepy, but suprisingly no one looked upset or disappointed by the weather. There was a general sense of good feeling all around, of happiness to be in that place for the solstice no matter what happened - a sense that just making the journey there had been enough. Finally, the light did break and for a minute the sun shone through, affording those assembled a brief glimpse of the phenomena that they had come from all four corners of the earth to witness. For a moment those familiar, eerie red beams flickered across the tower walls. Then it was gone as fast as it came, but it was enough to set a collective gasp and murmur rolling through the onlookers.

As above: Solstice light - Approx. 6.00 am (photograph courtesy of Ivan de Castries)
So below: Ivan, Richard and Ivan's brother - June 21 2010

Extracts from Richard Stanley's weblog - Montsegur - June 21 2010

"What are you doing here?" asked the parka clad journalist in broken English, clinging grimly to her note pad as she cast about herself in the early morning light in search of a story. "Are you here for a spiritual reason?"
"I live here." I brushed past her, swinging one leg over the gantry rail before jumping down onto the crowded floor of the tower room where our friend, Ivan, was holding forth to a bemused camera crew from T.F.1.
"Why do you have that cross on your shirt?" asked the interviewer, doggedly shielding his mike from the glacial wind.
"The Cathar cross? It's the symbol of your country", Ivan jabbed the tip of his finger at the emblem. "You should recognize it!"
The journalist nodded along, his confusion deepening. I didn't hear the rest of what Ivan had to say but I appreciated the sentiment. The press pack didn't seem to realize they were no longer in France but standing in the veritable throne room of free Occitania but that didn't really matter. Just being there was all that counted. Above us the last ruddy glow of the 'solstice effect', a curious red square projected against the upper reaches of the donjon wall, flickered and dimmed...

As usual we were the last to leave. None of us really wanted to go back to the world but the weather showed no sign of breaking and Ivan and his bro' were facing a long drive back to Barcelona. We talked of many things as we hit the downward trail, of Otto Rahn and absent friends and of Belibaste, the 'last parfait' who perished at the stake in 1321. Ivan was optimistic that Belibaste's prophecy, that the 'laurel will turn green again' after 700 years would be borne out, that the forces of evil and obscurantism would fail and that there would be a revival of interest in the history of the castle and its all but vanished faith before the anniversary in 2021.
Looking about myself, however, I couldn't help but wonder if we were really all that was left.
The last of the faithful...

As above: The memorial on the 'Camp de Cremat' commemorating the martyrs who were burned here in 1244
So below: The 'Camp de Cremat' or 'field of the Stake' - still ready for bonfire!!!

Montsegur - 22 June 2010

The crowd had thinned to a desultory handful by the following morning. The skies were clear but it was still bracingly cold. There were no journalists or television crews to keep us company this day in the pre-dawn chill and we shifted from foot to foot as we waited, unsure whether anything would really happen. But it did.

And this time it happened in style...

The Keep - 6.05 am

As soon as the sun appeared above the horizon the first rays began to enter the east-facing arrow slits in the lower chamber of the donjon-keep, marking out a rectangle of light on the inner side of the west-facing slit in the opposing wall...

6.06 am

As the sun climbs higher its rays intensify and the fiery colours visible within the West-facing slit deepen...

And brighten...

6.10 am

By now a second rectangle has appeared in the adjacent arrow slit while three squares of light begin to illuminate the upper reaches of the chamber's Western wall...

The castle is orientated towards the four points of the compass and built on such a strange plan that close study has led to the most unusual theories, including the notion that it was once a 'solar temple'. There is no documentary proof however of any connection between Catharism and sun worship any more than there is with the mythical civilization of lost Atlantis. Moreover, the castle we see today cannot be as it was in 1204 when Raymonde de Perelha, at the request of Esclarmonde de Foix, the venerable high priestess of the Cathar faith, fortified the existing ruins of what may have been a former pagan temple.. After the siege of 1244 the castle was given to the de Levis family who used it to garrison their troops, during which time the structure underwent a number of changes. The mysterious 'solar phenomena' have continued to manifest every year however, weather allowing, with stubborn regularity. Indeed, you could practically set your watch by them...

6.13 am

6.15 am

6.20 am

The yearly light show in the keep is one of the only 'supernatural' phenomena on this haunted Earth courteous enough to not only be repeatable, but to stick to a regular schedule. Strangely enough the report filed by the Groupe de Recherches Archeologique de Montsegur et Environs ( GRAME ) who conducted the definitive archeological survey of the area in 1964 - 1976 concludes only that 'the alleged solar phenomena in the donjon tower have not been scientifically documented, witnessed or verified.

After reaching their apogee at approximately 6.20 the lights in the keep began to fade until by 6.30 no trace remained. As the sun climbed higher and the day warmed we started to believe that maybe summer would return ...

As above, so below: The pog - 6.30 am June 22 2010 ( note suitably dove shaped refraction in the camera lens )

June 23

We decided to have a bit of a lie in, leaving the 'scientific documentation' of the solstice effect to other hands. When we finally got back on our feet we heard from someone that we'd been featured in a slot on the evening news.

June 24

It was a glorious morning. The air was warm and still, almost balmy. At approximately 5.45 we heard a curious metallic sound, a low reverberation that seemed to emanate from the Western wall of the donjon-keep. At first we thought we were alone on the pog and that we truly were the 'last of the faithful', but just as the first rays began to pour through the East-facing arrow slits a wizened old man with a grey beard appeared in the doorway of the tower room. He did not return our greeting and watched in silence from the rear of the chamber as the ' solstice effect' began to manifest once more...

By 6.10 am the tableau in the tower room was much as it had been on the days before. Thanks to the clear skies the glowing rectangles that appeared in the West-facing arrow slits were, if anything, brighter and more clearly defined, their colours more vibrant..

6.13 am - June 23 2010

6.15 am

It has been pointed out that the floorplan of the donjon-keep is reminiscent of the design of early pinhole cameras, a principle that was probably put into practise in Roman, Greek and possibly even bronze age temples long before it was first described by rogue Jesuit Athanasius Kircher in his 'Ars Magna Lucis et Umbrae' ( 1646 )

As above: Plate showing diagram of a camera obscura from Kircher's 'Big Book of Light and Shadows'
So below: The floorplan of the donjon-keep

All of which is well and good but it doesn't explain why the castle was built that way, nor does it help us understand quite how it manages to split the light into its component colours in order to achieve those Jack-o-lantern oranges and richly infernal reds...

Normally to pull this kind of thing you'd need a prism. So what gives ?

We stood in silence, gazing wide eyed at this ghostly display, knowing that we were receiving a garbled message from the other side of time whose true meaning might never be known to us. Then at approximately 6.20 am the light began to fade...

Jagged shadows encroached on the dimming rectangles, like the slow, closing bars of a portcullis...

By 6.30 am it was all over.

The old man who had watched passively throughout finally broke the silence asking us in halting English whether we had ever been there for the winter solstice when the rising sun shines through the longitudinal arrow slit in the North Eastern wall. I told him we hadn't. Last winter the conditions had been just too darned inclement, even for me. The old dude smiled and silently shook his head, venturing no further comment.

As we made our way from the tower room we felt a hot gust of wind against our faces.

And, just like that, summer began...

We wish to thank long term Shadow Theatre Irregular 'Marcoshark' for his welcome donation of a new Lumix and an accompanying Velbon tripod to the Terra Umbra cause, without which this documentation would not have been possible.

To be continued...

Friday, May 21, 2010

The Mark of the Beast

Previously on 'Terra Umbra' : - Spanish film maker Nacho Cerda joins the team on a visit to Rennes-les-Chateau where a series of strange 'coincidences' cast a disturbing new light on the 'bloodline' conspiracy and the identity of the so-called 'black magician' prowling the Zone...

The Zone – May 2010

The three saints of ice have finally packed their bags and headed south. The first breath of summer has touched the high pastures of the Ariege and the fallen trees, downed by the freak storm a couple of weeks ago ( * see previous 'blog ) have been dragged away and cut up for firewood. The cavaliers des faidits Cathare have already left on their yearly trek from Montsegur to Mirepoix and the crème de la crème of the European film industry, their stars, producers, entertainment lawyers and various hangers on have descended locust like on the French Riviera to bask in the gaudy, reflected light of the Cannes festival where lies are bought and sold by the yard like roughspun cloth. The assembled glitterati have little idea that behind the gleaming facade of the croisette another world awaits – an older, darker world where the fairytales of the horror movie business still have very real currency.

A mere two hours from downtown Cannes the tiny village of Rennes les Chateau stirs in May sunshine, awakening from its winter hibernation to shake off the cobwebs and set out its equally dubious wares. Ever since the emergence of the 'sacred bloodline' theory outlined in books such as 'The Holy Blood and the Holy Grail' and 'The DaVinci Code', Rennes has found itself at the centre of a labyrinth of hoaxes and conspiracy theories that continues to ramify to this day.

“These people here, they're like extras in a Mario Bava movie” whispered Nacho, leaning a little closer to Miss Scarlett, eyes casting nervously from side to side at the other denizens of Le Jardin, the outdoor cafe next to Sauniere's domain and the customary meeting place for local mystery hunters. Henry Lincoln had settled in his usual corner with a group of anxious looking pilgrims starting to gather around him eagerly clutching copies off his latest book.

“Just another day on the devil's chessboard.” Miss Scarlett returned Henry's good natured wave.
“But this place is really nice,” said Nacho, relaxing a little in the meridianal sunshine. “At least the locals seem friendly enough.”

“You don't know Rennes,” muttered Miss Scarlett, toying with her sunglasses.

Nacho had driven up from Barcelona to discuss a new feature project only to find himself caught up in a real life supernatural narrative that might have sprung from the plot line of one of his own movies. We had last worked together in 2006 on the screenplay for Nacho's directorial feature debut 'Los Abandonados/ The Abandoned' a supernatural thriller concerning an American film producer who encounters her own ghostly doppelganger haunting a time warped farmhouse somewhere deep in the Russian countryside.

As above, so below: Nacho Cerda directs Anastasia Hille and Karel Roden in 'The Abandoned'( 2007 )described by as the 'scariest movie in years'

'The Abandoned' opened wide in theatres all across the States and has since found an appreciative audience among genre fans on both sides of the Atlantic but Nacho and I, while proud of what we had accomplished under the circumstances, remained only too aware of the many compromises we had been forced to make during the project's long and at times painful gestation. This time around we were both determined to retain creative control over our work and craft a terrifying new vision worthy of our mutual talents.

In any event it was a pleasure to see my old comrade again and to find that despite all the water that had gone under the bridge Nacho hadn't changed one bit with all his familiar enthusiasms and obsessions still firmly in place. Miss Scarlett and myself, in turn, took no small pleasure in showing him around the Zone and introducing him to some of its myriad attendant mysteries. Nacho had blown into town the day after the feast of Saint Servais, the last of the 'three saints of Ice' ( * see previous 'blog entry ) and scaled the pog of Montsegur for the first time the following morning.

The walls of the keep were still drying out after the rains that have saturated the area for the last fortnight or so and we watched from the ramparts as the leaden skies finally began to clear over, the hazy, scarcely created landscape of the Zone unfurling itself slowly before our eyes, the misty treetops rolling away and away, seemingly to the very ends of the earth itself. For now at least the castle's weird energies lay dormant and the courtyard and adjoining tower room that had been the setting of so many wonders, terrors and strange encounters over the years gone by seemed no more imposing than any other ancient monument. We completed a circuit of the ruins before leaving the mountaintop to the first straggling tourists of the season and starting back down into the world in search of a hot cup of coffee and a goat's cheese salad.

The next stop on the magical, mystery tour was, quite naturally, the Rennes plateau where a series of unsettling surprises lay in store. The Aude valley was a few degrees warmer than the Ariege albeit a good deal windier and we watched from the Belvedere as the shadows of the clouds scudded across the undulating panoramic landscape that remained every bit as impressive as the day I first set eyes on it more than two decades ago.

“It's like a movie set,” Nacho took in the mock-gothic edifice of the Tour Magdala, his mind working overtime as usual, setting up potential shots and laying out invisible dolly tracks as if on a location recce for a sinister, untitled drama that was somehow writing itself as we walked.

The sky darkened as we left the museum, a malignant early summer squall blowing in from the west, a grey sheet of stinging rain following a moment later. We took the winding trail down from the plateau to find shelter in the home of one of our friends, the hermit of the 'River of Colours'.

A cauldron simmered on a distinctly medieval looking hearth whose embers cast a faint, ruddy glow across the cottage's one room living area, its walls and shelves crammed with maps, hand written grimoires, dismembered barbie dolls and lovingly hoarded movie memorabilia. Nacho settled himself into a chair beside the fire while we chatted with our friend about how cold and long the winter had been, the coldest apparently since 1938 although he insisted that '84 had been even worse.

Then Nacho spotted an unused cinema ticket pinned above the hearth.

“You're going to freak out when you see this” he said, shaking his head in disbelief .

The ticket was for a screening of our old buddy Karim Hussain's 'La Belle Bete' which we had attended at the Sitges film festival in southern Spain some three years previously. Karim had been the first writer to work on Nacho's 'Los Abandonados', originating the screenplay that I'd overhauled during the frantic shoot in Bulgaria and the project's typically tempestuous post-production back in Barcelona. A dog eared business card was tucked against the wall beside it bearing the name and telephone number of 'Fangoria' magazine's former editor Tony Timpone.

“But how is this possible?” Nacho looked dumbfounded.

“I found it in a bottle out by the stone ring,” said the hermit.”Somebody must have left it for me. I don't know why.”

“Our friend is a big horror movie fan,” I offered, as if this were somehow an explanation in itself. Retrieving a copy of David Schmoeller's 1979 0pus 'Tourist Trap' from amidst the detritus of DVD's strewn among the doll parts Nacho immediately came across another disc slipped into its sleeve – a French language dub of my very own 'Dust Devil'.

“Damn. I wasn't expecting to see that here...”

“Where else but in Rennes?” mused Miss Scarlett, drawing our host's attention to the disc's credits.

“You made this?” It was the hermit's turn to look surprised as he took on board the bizarre fact that I was the writer director of the film he had only just watched. “I like this film very much!”

“Yeah. I made it all right...” I narrowed my eyes trying to puzzle out the different coincidences and connections. It was so typical of Rennes where people either seemed to be constantly burying and hiding things before leaving behind flamboyant, tell-tale clues.

In the last year there had been a rash of incidents where graffiti has mysteriously appeared on the crosses in the locality. Someone was changing the 'N' in 'INRI', the inscription exoterically to mean 'Jesus of Nazareth - King of the Jews' or esoterically 'Igne Natura Renovatur Integra' ( 'through fire nature is reborn whole' ), to the runic symbol of 'dagaz' ( above ) – the glorious light of the creator. A host of rumours surrounded the mysterious author of these ad hoc insignia. Some believed it was the work of a 'black magician' seeking to subtly manipulate the hypothetical grids of telluric energy running through the area to his ( or her ) own nefarious ends. Others hinted darkly that it might be somehow linked to the resurgence of the movement known as the 'Sovereign Order of the Solar Temple' ( or 'O.T.S' ) in the Rennes region.

The 'O.T.S' was founded in 1952 by the French author Jacques Breyer who based his plans for the Order upon the modern myth of the continuing existence of the Knights Templar. The Orders aims were apparently to prepare humanity for the Second Coming of Christ as a 'solar god-king'. The movement's activities were a mix of early Protestant Christianity mixed with New Age philosophy , using adapted Masonic rituals as well as drawing inspiration for its teachings from the Hermetic Order of the Golden Dawn and the British occultist Aleister Crowley who headed the Order of Oriental Templars ( OTO ).

The movement was revived in Geneva in 1984 by Joseph Di Mambro and Luc Jouret and lodges were established in Quebec as well as in France, Austria, Switzerland and Martinique, attracting a number of wealthy and influential members, including Princess Grace of Monaco who was reputedly initiated into the movement shortly before her death. The group's initiatory ceremonies included expensive purchases, jewellery, costumes, regalia and the payment of initiation fees. During ceremonies members wore crusader-type robes and were to hold in awe a sword which Di Mambro claimed was an authentic Templar artefact, given to him in a previous incarnation a thousand years ago.

In October 1994 Tony Dutoit's infant son, Emmanuel Dutoit, aged three months, was killed at the group's centre in Morin Heights, Quebec. The baby had been stabbed repeatedly with a wooden stake. It is believed that Di Mambro ordered the murder, because he had identified the baby as the Anti-Christ whom he believed had been born into the order to prevent him from succeeding in his spiritual aims. A few days later, Di Mambro and twelve followers performed a ritual last supper before embarking of a spate of simultanious murders and mass suicides in Switzerland, and Quebec — 15 inner circle members committed suicide with poison, 30 were killed by bullets or smothering, and 8 others were killed by other causes. Many of the bodies when found were drugged, possibly to prevent the members from objecting. The buildings were then set on fire by timer devices, purportedly as one last symbol of the group's purification. 48 human beings perished in the wholesale slaughter that took place in Sion, Switzerland, where a number of the dead were found in a secret underground chapel lined with mirrors and other items of Templar symbolism. The bodies were dressed in the order's ceremonial robes and laid out in a circle with their feet together and their heads outward. Most of the dead had had plastic bags tied over their faces before being shot in the head. It is believed that the plastic bags were a symbol of the ecological disaster that would befall the human race after the OTS members moved on to Sirius. Farewell letters left by the deceased cult members stated that they believed they were leaving to escape the "hypocrisies and oppression of this world."

A mayor, a journalist, a civil servant and a sales manager were among the victims in Switzerland and records seized by the Quebec police showed that some members had personally donated over $1 million to the group's leader Joseph Di Mambro. There was also another attempted mass suicide of the remaining members which was thwarted in the late 1990s. All the suicide/murders and attempts occurred around the dates of the equinoxes and solstices in accordance with the beliefs of the group. In 1997 a small house exploded into flames in Saint-Casimir, Quebec, leaving behind a further five charred bodies for the police to pull from the rubble. Three teenagers aged 13, 14 and 16, the children of one of the couples that died in the fire, were discovered in a shed behind the house, alive but heavily drugged.

Michael Tabachnik an internationally renowned Swiss musician and conductor, was arrested as a leader of the Solar Temple in the late 1990s and indicted for "participation in a criminal organization," and murder. He came to trial in Grenoble, France during the spring of 2001 and was acquitted. French prosecutors appealed the verdict and an appellate court ordered a second trial beginning on October 24, 2006. He was again cleared less than two months later on December 20 and rumours began to circulate shortly afterwards that the movement had joined forces with the OTO in the Rennes area where they have apparently tried to seize control of several properties in including an abandoned hotel and stables overlooking the plateau where I had lodged on my first visit to the Zone.

The recent plague esoteric graffiti that has begun to crop up in the area first came to our attention in the spring of 2008 when Miss Scarlett and myself noticed a curious geometric sign cut into a rock just below the summit of Mount Bugarach.


At the time we took it as a good omen, having already chosen the symbol - the eight pointed 'Star of Isis' or 'Rosette of Innana' - as the principal leitmotif around which the 'TERRA UMBRA' site and its attendant portals are designed...


Approximately twelve months later I noticed that an identical sigil had been freshly cut into the back of the Devil's Armchair in Rennes les Bains...


At face value this would seem logical enough. The seat, carved out of a boulder in an isolated glade near the source of the Madeleine, has after all been frequently referred to in modern day guide books as the 'Throne of Isis'. There is however little evidence to suggest that this appellation predates the publication of a very weird little book entitled 'GENISIS' ( 1985 ) in which the retired British surveyor and cartographer David Wood attempted to transpose the iconography of the Egyptian creation myth to the Zone's topography. Mount Bugarach and the Devil's Armchair both play a significant role in Wood's byzantine calculations which make great play out of the pattern of the tiles found on the floor of Boudet's church in Rennes les Bains - a familiar eight pointed configuration that the author rather melodramatically dubs the 'Sigil of the Beast'.


Despite our best efforts none of us here at Shadow Theatre HQ can find any existing esoteric rationale behind Wood's conflation of the 'Star of Isis' with the so-called sign of the Beast outside of his own fanciful private cosmology. Mount Bugarach seems particularly dear to the author's heart, forming one of the cardinal points on his eponymous pentagram and according to our friend, the hermit of the 'River of Colours' an identical 'octogram' has recently turned up carved into a rock near Peyrolles, the head of the vague squiggly shaped formation identified by Wood as 'Le Serpent Rouge.'


Wood seems intent on trying to define some abstract ( and at times rather graphically Freudian ) notion of the 'Goddess' through the rules and measures of conventional geometry to arrive at a sort of 'divinity by numbers'. His work, fuelled by what might be described as 'cartoerotic' mania, helped establish the notion of the Rennes pentagram back in the eighties and has undeniably helped shape our modern perception of the so-called 'mystery'. It appears however that someone is now deliberately trying to change the facts on the ground to fit the specifics of Wood's theory. According to the rumours one of Wood's former associates was apparently behind the recent outbreak of unprovoked sigil carving, possibly in an attempt to set up another phony twist in the mystery.

On our last visit to the grotto of Saint Antoine in Galamus gorge we couldn't help noticing that someone had tampered with the puzzle box, altering the 'N' to form another 'dagaz' rune.


Monsieur 'X' was at work again...


Our hermit friend smiled knowingly, “ That's him. He's been very busy. You can always tell his work, he the one who changes the N in INRI, to make the rune dagaz for day. He is very clever and he has been using this shape.” He quickly sketched out the star of Isis.

“He's the one who's been carving those! First on Bugarach. Then the Devil's Armchair. He seems to be marking out all the points on the pentagram from 'Genisis'...”

“Yes, that's the book that he is working from.”

“But why? To rewrite the mythology? To make the mystery fit?”

“It is the mark of the beast.”


“You must understand there are people here, very well connected and powerful people from the O.T.O and the O.T.S, who have come together to make their own cult. They would like to take over this place and use it for their own purposes...”


“There's a lot of bodies around here...”

Nacho had been listening intently, “I told you this place was like living in an Mario Bava movie.”

The rain had stopped . Digging through a pile of horror magazines our hermit friend retrieved an old issue of the French genre periodical 'Mad Movies' carrying a cover story on 'los Abandonados/The Abandoned' ( 2006 ) which Nacho duly signed for him. The fact that he just happened to have a copy on hand no longer surprised us. On departure our friend pressed a copy of 2008 pseudodocumentary entitled 'BLOODLINE' into our hands and we promised to take a look at it before returning it to him the next time he came up to Montsegur, the fact that Karim Hussein's initial draft for Nacho's 'Los Abandonados' was itself provisionally entitled 'BLOODLINE' just one more 'coincidence' in a seemingly endless chain of baffling synchronicity. Typical, really. Pure essence of Rennes.

Bruce Burgess's film purports to follow the real life escapades of self proclaimed 'tomb raider' Ben Hammot as he unearths a series of bottles buried at strategic locations in the Rennes area which apparently contain coded parchments written by Berenger Sauniere himself, a string of clues that are ultimately supposed to point the way to the tomb of Mary Magdalene. We couldn't help noticing the by now all too familiar 'dagaz' rune appeared on several of the parchments. The scrolls in question, in all honesty, didn't appear particularly old. Moreover one of the key clues in the 'Bloodline' scavenger hunt revolves around a chest containing a handful of old coins and other sacred relics unearthed from the floor of the 'Grotto of the Magdalene', a location already extensively excavated by numerous treasure hunters back in the eighties and early nineties, myself included. ( * see 'LACHRYMAE – Chapter 15: All roads lead to Rennes - )

Below: Self in the Villa Bethanie - photograph by Nacho Cerda

“Looks like Monsieur 'X' has been keeping busy,” Miss Scarlett narrowed her eyes, hitting the pause button.

“Yeah, but what does he want? What does he hope to gain from all this?”

“I don't know. Maybe he's working for the Tourist board. I mean how else did they get the keys to the church?”

I thought it over for a moment. It wouldn't be the first time a minister of tourism had been caught burying ancient artefacts in the Rennes area. Antonin Gadal ( below ) was apparently caught doing precisely that in the early part of the twentieth century – buying up jade Egyptians ornaments at museum auctions and secreting them in the caves of the Lombrive to be publicly exhumed at a later date.

“Probably just trying to rewrite history or get a publishing deal. Like everyone else.”

“It'd take more than one person to pull off something that elaborate.”

“It wouldn't be the first secret society to try and capitalize on the success of the 'DaVinci Code'. Remember how Opus Dei's membership sky rocketed after the film's initial release? When was this thing released anyhow?"

I keyed in the film's title, checking the internet database. “2008”

“There you go. Dan Brown meets the Santilli Roswell autopsy footage”

“Yeah. But something about it still doesn't add up.” I frowned, turning the disc in my hands. “I mean secret societies don't generally feel the need to advertise and only the film makers stand to reap any benefit.from the disc itself. The only reason to deliberately lay a false trail would be to either hide something in plain sight or take the heat off whatever's really going on.”

“So, what is going on?”

“I dunno. We'll just have to wait and see what else Monsieur 'X' has up his sleeve.” I crossed to the window, looking out over the darkened treetops. It had been a weird enough run of events but then nothing is ever really too weird for Rennes, where 'coincidences' are commonplace and conspiracies a way of life. Somewhere out in the dark an owl hooted as if in agreement. “My guess is we'll find out soon enough...”

Miss Scarlett was busy rummaging through the numerous shelves of the library. “Where's that Best of Bava box kit? And where the hell is the other bag of popcorn?”

To be continued...